Buffalo II, 1964 by Robert Rauschenberg. Robert Rauschenberg (1925-2008), Buffalo II, 1964. Featured image: Robert Rauschenberg working on a metal painting in his Laika Lane studio, Captiva, Florida, 1989. Pictured left is the Eye of Jean Francois H., lent to the exhibition by Mr. and Mrs. Robert Mayer (1963). The Robert Rauschenberg Foundation fosters the legacy of the artist’s life, work, and philosophy. 10-dic-2017 - Robert Rauschenberg, Buffalo II, 1964. Seeking to challenge preconceived notions of what art could be, the artist created a surface which invited a constant change of focus and an examination of detail. Trapeze reached $6,354,500 with buyer’s premium at Christie’s New York in 2010. Christie’s. Get premium, high resolution news photos at Getty Images Street signs, stop signs, the Statue of Liberty, office buildings, iron railings and birds that flock the cityscape paint a perfect picture and let us almost hear the background noise and bustle of any given metropolis, not just New York City. Oil and silkscreen ink on canvas. Robert Rauschenberg’s Buffalo II, $88.8 million. View Buffalo II by Robert Rauschenberg on artnet. It is entitled Photograph, yet it is just another Combine Painting. 96 x 72 in (243.8 x 183.8 cm). Source: Christie's. Browse upcoming and past auction lots by Robert Rauschenberg. Robert Rauschenberg, Buffalo II, 1964. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Another seminal silkscreen, Bait is the artist’s extraordinary example of skill in silkscreening. Did you know that Rebus also includes a drawing by Cy Twombly? It is the ultimate Robert Rauschenberg artwork, a dynamic and vivid exploration and exposure of the intuitive mechanics and material construction of what it is that constitutes a picture - all presented and investigated as if from the analytical viewpoint of an engineer. Studio Painting achieved $11,058,500 with buyer’s premium at Christie’s New York in 2010. Escaping two-dimensionality, the work is 185cm high and its every detail gloriously emerges from the surface, quite literally. Muted and muddy tones depicting environmental decay surround the … The work Rigger from 1961 is imbued with gestural bravura, arresting multidimensionality, and staggeringly innovative experimentation. Photographer Chris Rauschenberg, son of Robert Rauschenberg, on his father’s desire to ‘talk about the world in all its complexity’ with Buffalo II — sold for $88,805,000 on 15 May. ‘This is a work that completely breaks the traditional dimensions of what art could aspire to’ — Chris Rauschenberg. With an original mind and an idea that changed the way we understand art materials and methods, Robert Rauschenberg redefined the role of an artist, the meaning of an artwork, the purpose of the arts as it reflects on the contemporary world around. In fact, the artist’s earliest Silkscreen Paintings were primarily monochromatic like this - it was from 1963 on that vibrant colors like red and yellow entered his palette. Photo by Oliver Baker. Two years later, in 1965, Rauschenberg’s Buffalo II was also owned by the Mayer family. CHRISTIE’S IMAGES LTD. 2019 The buyer of one of the most high-profile lots at the New York auctions in May has been revealed. He was awarded the National Medal of Arts, the highest honor the United States bestows upon artists, and his work has been regularly displayed at such institutions as the Smithsonian, the White House, and numerous Robert Rauschenberg's "Buffalo II" will go up for auction on May 15 at Christie's Post-War and Contemporary Art evening sale in New York. During a particularly fertile period between 1962 and 1964, Rauschenberg produced a series of canvases in which he assembled seemingly disparate images—ranging from the familiar to the mysterious—to capture the social, political and artistic … An entirely free-standing combine painting, this work is one of the finest examples of Robert Rauschenberg artwork and conceptual practice. In addition to the scores of works of art reproduced (paintings, combines, floor and wall constructions, prints made at U.L.A.E., and more), and personal photographs of Rauschenberg and his friends and family, creating in sum an intimate portrait of this living legend. Nov 16, 2016 - “Robert #Rauschenberg, Buffalo II, (1964) - "And I think a painting has such a limited life anyway" A great #artist” A collage named " Buffalo II" by Robert Rauschenberg is displayed during the unveiling of highlights from "20th Century Week" at Christie's on May 03, 2019 in New York City. A special feature of the book are the many reproductions, for the first time, of his most recent and significant work - ROCI. ‘Buffalo II may not mean the same thing today as it did more than 55 years ago, but it continues to mean something because he’s using metaphor.’, Robert Rauschenberg in his studio, 1964 (present lot illustrated). Overdrive, the most expensive Robert Rauschenberg artwork, sold for $14,601,000 with buyer’s premium at Sotheby’s New York in 2008. ‘Their art was all about personal expression. Sold for $88,805,000 in\xa0 the Post-War and Contemporary Art Evening Sale on 15 May at Christie’s in New York\xa0© 2019 Robert Rauschenberg Foundation / Licensed by VAGA at Artists Right Society (ARS), New York The art market newsletter The Canvas is saying the purchaser is Alice Walton, the billionaire heir to the Walmart fortune who founded the Crystal Bridges Museum of American Art in Bentonville, Arkansas, in 2011. ‘Buffalo II’ was created in 1964 by Robert Rauschenberg in Pop Art style. Shortly after creating - and exhibiting! Photograph achieved a whopping $10,680,000 with buyer’s premium at Sotheby’s New York in 2007! (243.8 x 183.8 cm.) This work is distinguished by a particular gestural dynamism and compositional elegance. - his very first artwork in form of White Paintings in New York in 1953, he established himself as a force to be reckoned with on the national and the international art scene. In the manner of Marcel Duchamp, he questioned the role of an artist as the creator of a certain work by going against the establishment and doing pretty much whatever he pleased. The work was sold on May 15th, 2019 at Christie's New York during their Post-War and Contemporary Art Evening Sale for $78,000,000. Buffalo II Painted in 1964 oil and silkscreen ink on canvas . Going beyond mere assemblage of imagery, this work, like many others from the fantastic oeuvre by Rauschenberg, come as a result of a sort of a performance, in which the artist makes gestures, re-observes the image, makes changes as he goes, constructs and deconstructs almost randomly. Acquired by Robert B. One of the largest of Robert Rauschenberg’s iconic Silkscreen Paintings, Buffalo II is a blockbuster painting, which unites the worlds of art and politics. Changing the context of whichever thing out there gives it a new meaning, a new life. And so, every time we look at it, this artwork will always have a brand new story to tell…. Robert Rauschenberg, original name Milton Rauschenberg, (born October 22, 1925, Port Arthur, Texas, U.S.—died May 12, 2008, Captiva Island, Florida), American painter and graphic artist whose early works anticipated the Pop art movement.. Rauschenberg knew little about art until he visited an art museum during World War II while serving in the U.S. Navy. Created mainly between 1954 and 1962, the Combines incorporated a variety of materials, such as clothing, newspapers, comics, quilts, photographs, urban debris and even taxidermied animals. This imposing eight-foot-tall canvas is dominated by a large photograph of former US president John F. Kennedy. Photograph by Hans Namuth. Rauschenberg made this monumental assemblage of appropriated images collected from newspapers and magazines, along with his own photographs, using the silkscreen printing technique — regarded as ‘low art’ at the time, and employed most commonly in commercial advertising. Category: Paintings. Studio Painting consists of two equal canvas panels, separated by a small gap, which are connected by a rope sandbag and pulley adjoining them. This artwork is also particular for the fact it features a rare image of a female figure - Diego Velàsquez’s The Rokeby Venus. Robert Rauschenberg (1925-2008) was an American artist who worked in a wide range of subjects, styles, materials, and techniques. Click here for more information on the work! Provenance: Leo Castelli Gallery, New York; Acquired from the previous by the present owner, 1965. It is also a work that represents an important moment in his father’s career — the series he made between 1962 and 1964 saw Rauschenberg challenge preconceived notions of what art could be. Each of these elements is a part of an ensemble, yet leads a full individual life of its own.Furthermore, the radiometers feature an internal spindle supporting a number of vanes which, when exposed to the light of the bulb, rotate with varying degrees of speed. The artwork has a rich exhibition history, having been provided to many important institutions by Victor and Sally Ganz, who owned many gems of contemporary art in their remarkable collection. In 2010 Studio Painting (1960‑61), one of Rauschenberg's Combines originally estimated at $6 million to $9 million, was bought from the collection of Michael Crichton for $11 million at Christie's, New York. At first sight, this artwork seems like a work of Abstract Expressionism - a movement Robert Rauschenberg briefly dedicated himself to with a series of White Paintings, Black Paintings and Red Paintings in the early 1950s. On 15 May at Christie’s in New York, this imposing canvas, which measures more than 8ft high, sold for $88,805,000 in the Post-War and Contemporary Art Evening Sale as part of the The Robert B. and Beatrice C. Mayer Family Collection. The canvas is dominated by a large image of the then Senator John F. Kennedy, and includes iconic consumer products and patriotic symbols of America — the Coca-Cola logo, an army helicopter, a Bald Eagle and an astronaut — alongside images of the urban landscape and personal objects, such as a set of keys. It was the birth of his celebrated series of Silkscreen Paintings which anticipated the post-modernist idea of appropriation, later one of the protagonist techniques of Pop art. Finally, one of the most famous Silkscreen Paintings, Overdrive is a myriad of collaged images of city life which faithfully reflect on the visual information overload we encounter on a daily basis by living our urban lives. It was given as a gift to choreographer Paul Taylor in 1964, where it remained until Sotheby’s 2014 auction in New York. Medium: Oil and silkscreen ink on canvas. So, not just an artwork - a work of science too! Oil on canvas. Speaking of silkscreens and Andy Warhol being the other master of the technique, it should be mentioned that Robert Rauschenberg actually visited Pop artist’s studio in 1962, the year Exile was created. Always working ”in the gap between art and life,” Robert Rauschenberg revived the revolutionary visions of Dadaists, who vowed to raise the mundane to the level of a highly appreciated artwork. A report on Tuesday identified the mystery buyer of Robert Rauschenberg’s Buffalo II (1964), which sold for $88.8 million at Christie’s last month, smashing the artist’s previous record. Privacy Policy, Post-War and Contemporary Art Evening Sale, The Robert B. and Beatrice C. Mayer Family Collection. Robert Rauschenberg, Buffalo II (1964). Robert Rauschenberg, Buffalo II, 1964. 96 x 72 in. Est. It is important to list all of the materials used by Robert Rauschenberg in the Combines, because it is as if each of them is trying to outdo its predecessor with originality and yet another element we surely did not expect. Buffalo II, 1964 - Robert Rauschenberg - WikiArt.org. It is alluring in color, perhaps calling to mind the sublime hues of Mark Rothko while implementing rough patterns and edges that prove its materiality and immediacy. Sold for $88,805,000 in the Post-War and Contemporary Art Evening Sale on 15 May at Christie’s in New York © 2019 Robert Rauschenberg Foundation / Licensed by VAGA at Artists Right Society (ARS), New York. These are just some of the words that could be used to describe any Robert Rauschenberg artwork created over the course of his rich, remarkable career which spanned over five decades. Size: 243.8 x 183.8 cm. Rauschenberg exhibited the canvas at the XXXII Venice Biennale in the spring of 1964, where he was awarded the coveted International Grand Prize in Painting. In 2019, Alice Walton was drawn to Rauschenberg’s piece for her personal collection. Robert Rauschenberg, Buffalo II (1964). This is something Robert Rauschenberg strongly believed in, and with this in mind, it comes as no surprise that many of his artworks were implemented with trash and found objects picked up off the streets of New York. ‘In his silkscreen paintings, he would tell you that there was something important going on, but he would not try to tell you what that important thing was,’ says the artist’s son. But that just wasn't enough for my father — he wanted to talk about the larger world, the larger culture, and bring it to you in all its complexity. A Robert Rauschenberg could sell for $50 million in May—300,000 times what the seller paid for it. Artist: Robert Rauschenberg. The work was sold on May 18th, 2017 at Sotheby's New York during their Contemporary Art Evening Auction for $10,700,000. It is not just about his art - but also his life. ‘When the silkscreen finally arrived, my father suddenly had to deal with the fact that this image, as images do, had radically changed in meaning. Rebus went for $5,750,000 with buyer’s premium at Sotheby’s New York back in 1988. All images used for illustrative purposes only. Combine was sold for $5,765,000 with buyer’s premium at Sotheby’s New York in 2014. Buffalo II brings together disparate images and motifs that, for Rauschenberg, defined modern life in 1960s America. Robert Rauschenberg Mark Rothko James Rosenquist Pop Art Movement Claes Oldenburg Jasper Johns Arte Pop Assemblage Art Outdoor Art. In the early 1960s, Robert Rauschenberg dedicated himself to a different kind of image-making, one that involved photographic transfer onto canvas. Robert Rauschenberg was a prominent member of the American Post-War avant-garde. The artist himself described the painting as ”a record of the immediate environment and time.” In 2005, New York’s Museum of Modern Art acquired the seminal painting for its collection, some forty years after the founding director of MoMA, Alfred H. Barr, had asked Jasper Johns which Rauschenberg he would recommend if the museum were to buy just one. Right in the middle of synthetic polymer paint, oil, pencil, crayon, pastel, cut-and-pasted printed and painted papers and fabrics. ‘When my father arrived in New York, he started mixing with young artists and the Abstract Expressionists at Cedar Bar,’ explains Chris Rauschenberg. Created in 1964, a year of socio-political, technological and cultural change in America, it features John F. Kennedy, a bald eagle, the Coca-Cola logo, space travel and the downtown landscape. The image of John F. Kennedy would reappear in no fewer than 12 examples of Rauschenberg’s silkscreens. Photo © Gianfranco Gorgoni. Groundbreaking, iconoclastic, prodigious, daring, influential. Robert Rauschenberg designed the first Earth Day poster to benefit the American Environment Foundation in Washington, D.C., and it was published in an edition of 10,300 by Castelli Graphics, New York. View Robert Rauschenberg’s 8,338 artworks on artnet. ‘[The silkscreen paintings] are a series of open-ended conversations that evolve over time,’ he continues. Forge achieved $6,200,000 with buyer’s premium at Christie’s New York in 2007. ‘Buffalo II is emblematic of the moment of its creation,’ states Chris Rauschenberg, the late artist’s son. Red Interior, made in 1954, is often described as one of the elegant Combines, and while it contains the usual newspaper, fabric, oil, plastic and wood, it also featured metal-and-porcelain pulley, pebbles and string. It also features an eclectic range of images and motifs, which, for Rauschenberg, defined America in the 1960s -- including the Coca-Cola logo, an … Creation year: 1964. Sold for $88,805,000 in the Post-War and Contemporary Art Evening Sale on 15 May at Christie’s in New York © 2019 Robert Rauschenberg Foundation / Licensed by VAGA at Artists Right Society (ARS), New York. The other, Silkscreen Paintings, introduced Rauschenberg as the pioneer of the technique that would also inspire another great artist. It is an unparalleled exemplar from the artist’s final series of Combines, in which the artist explored an abstract vernacular simultaneously more painterly and more sculptural, enacting an unprecedented re-examination of the existing definitions of art. Image courtesy of Christie's Images Ltd. Robert Rauschenberg, American, 1925–2008, Retroactive II, 1963, Oil, silkscreen, and ink on canvas, 80 × 60 in. What’s interesting is that in 1964, after he won the International Gran Premio for Painting at the Venice Biennale, the artist promptly phoned home to order that all of his remaining silkscreens be destroyed - that way, he couldn’t possibly repeat himself in the future. While the left-handed panel is predominantly black and white and uses mixed media imagery including street poster and photographs, the right-hand one is more vibrant, as it features the textural strip of fabric from a workman’s overall. Robert Rauschenberg (1925-2008), Buffalo II, 1964. ‘Now it’s time for me to do something else.’, Get the best stories from Christies.com in a weekly email, *We will never sell or rent your information. I like human reportage,” Rauschenberg had once said, and in this work, we witness just that, random objects that have now found a brand new purpose and are interacting among each other on a canvas, guided by the central image of industrialized towers, an enigmatic and haunting photograph of a raised hand, the bold black stars collaged on the bottom rim…. Painted in 1964 and sold at . Robert Rauschenberg’s Buffalo II, 1964, sold for $88.8 million. Find more prominent pieces of figurative at Wikiart.org – best visual art database. Using the bald eagle as the dominant image, the artist symbolically placed the United States at the center of a global problem. ‘This is a work that completely breaks the traditional dimensions of what art could aspire to.’, Christie's Online Magazine delivers our best features, videos, and auction news to your inbox every week. But 1964 also marked a pivotal moment in the canon of post-war American art. "I like the history of objects. ‘He rewrote the rules of the game,’ says Chris Rauschenberg. See available prints and multiples, paintings, and works on paper for sale and learn about the artist. Modern & Contemporary Art Resource. ‘My father had ordered this silkscreen of Kennedy before he was assassinated,’ Chris reveals. You can guess Johns’ answer…. Find more prominent pieces of figurative at Wikiart.org – best visual art database. 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